Ok, half of the reason I've posted so little since getting home from Worldcon is that I'm busy, the other half is just that i don't have anything interesting to say that doesn't require absurdist levels of four letter words.

so who has something they want to see me discuss, or do on a regular basis? I'm not saying i will, just that I'm curious.

From: [identity profile] xjenavivex.livejournal.com


How was the slush pile when you got back?

From: [identity profile] laurahcory1.livejournal.com


I'm curious to know what an "average" workday for you is like, if there is such a beastie. :)

From: [identity profile] timeshredder.livejournal.com


What are your feelings on phenomenology? And how often do you mow your lawn?

From: [identity profile] matapam.livejournal.com

Sub Genres


Mind you our Muses will immediately lead us off in opposite directions, but tell us what's hot and what's passe. And where, on that spectrum Martian lawyers fit.

In fact just a discussion of the requirements of the various sub-genres might be interesting.

From: [identity profile] cordova829.livejournal.com

Re: Sub Genres


I second this notion. I still remember the look on that one authors face when I answered his question of "What type of genre would supernatural romance be?" with "Horror?".

From: [identity profile] chipaatsua.livejournal.com


I would be interested to learn 1. what goes into making the decision on whether to offer representation, 2. how do you go about offering your authors' work to editors (how do you pick which editor the material goes to first, etc.), 3. the average length of time between offering representation and selling the material, and lastly, 4. when/how do you decide that the material isn't going to sell in its present form.
.

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